Interview with Michel Drappier President of Drappier

BestChampagne had the pleasure of interviewing Michel Drappier, CEO of this historic Champagne House carrying his name. 

michel-drappier

Michel Drappier, President of the Drappier House and the 7th generation of the Drappier family

Michel explains Drappier’s history and unique style marked by the use of Pinot Noir grapes, sources in great part from its vineyard in Côte des Bar region of Champagne. 

Best Champagne: What is the history of your House and how it impact your style?

Michel Drappier: I am now the 7th generation of the Drappier family which came to France in 1808 under Napoleon I. My ancestors were lumberjacks supplying wood for the ovens of the Champagne crystal glassworks in Bayel.

When he saw all those crystal glass products he had the idea to settle in Urville next to an annex to the abbey of Clairvaux, owned by the diocese, to grow vines as he did not have the resources to produce wine.

Our family sold grapes to the great Champagne Houses of Reims and Epernay for more than a century.

During the phylloxera crisis in the 1890’s it was necessary to replant the vineyards and my grandfather decided to replant the vineyards with Pinot Noir, an elegant and fine variety.

That was a strategic choice and bet on quality rather than quantity. This is how we have rebuilt our vineyard between the two world wars.

After the Second World War, my father started to expand the business and had the opportunity to acquire the cellars that were the annex to the abbey of Clairvaux. St Bernard de Clairvaux was a monk from Citeaux next to Clos de Vougeot, who during the XII century introduced the Morillon Noir grape, the ancestor to the Pinot Noir variety, in Champagne.

Considering the history of this variety and continuing the heritage of St Benard de Clairvaux we remained faithful to Pinot Noir which develops well on the limestone soil of the Côte des Bar, developing an intimate bond between the village of Urville and to the soil for more than two centuries.

BC: What characterizes the DRAPPIER’s style?

MD: Thanks to this limestone vein identical to the grands crus in Chablis, our soil imparts a marked minerality. Hence our pinot noirs, vinified in a very natural way, express such minerality and elegance while the fruit of Pinot Noir is very authentic and intense.

The DRAPPIER style is 70% to 75% of Pinot Noir planted in our vineyards and used in our champagnes.

Since 2/3 of our grape supply comes from our properties and our associates, the rest is from external providers through the whole Champagne region, from which 2/3 is also from the Côte des Bar. Hence we can say that DRAPPIIER is a champagne of terroir, of this sub-region of Côte des Bar.

This is particularly true for our champagnes produced only with our own grapes like the Grande Sendrée, our cuvée de prestige – made with a majority of Pinot Noir -, the Bruts Nature which are 100% Pinot Noir, our Rosés, and the cuvée Quattuor made of ancient grapes: Arbanne , Petit Meslier, Blanc Vrai (or Pinot Blanc), and Chardonnay.

BC: Your champagnes are characterized by very low amounts of sulfites. Why that and what is is the impact of flavours and sensations in your champagnes?

MD: Sulfites have been used in wine for three or four centuries to protect against oxidation. But too much sulphites disturb those allergic to this substance, like my father and I for example.

It is true that in the production of wine; sulfites are often overused to avoid any dire disclosures. An excessive use of sulfites causes headaches and anesthetizes the palate to the perception of flavors.

At the same time to make wine without sulfites is too risky since the wine may not preserve well as expected. It is then better to add some sulfites to protect the wine than obtain a wine of poor quality. Hence we are not sulfite enemies; we are enemies of its excessive use.

We have the same approach in the vineyard: for more than 20 years now, 1/3 of our vines are cultivated using biodynamic methods and the other 2/3 are on the way to using these methods as well.

In the cellar we have been pioneers in these techniques: our wines are not filtrated, not centrifugated, not decolorated and very little sulfites are added, hence very little intervention.

Furthermore, we can limit the use of sulfites in champagne because gas created during the secondary fermentation is not an antioxidant on its own but it does act as a precursor to help in limiting the oxidation of wine by limiting the entry of oxygen in the bottle.

The PH of champagne is also very low and protects the wine, together with relatively high total acidities. If we add to this, a great deal of precautions during vinification with fermentation at low temperature we can afford to further lower the amounts of sulfite. We even produce a champagne absolutely sulfite free, a prototype in champagne!

BC: DRAPPIER is also known to produce champagnes with little dosage. Champagne is by tradition a wine that receives dosage, but the overall trend is to reduce the amount of sugar; why is this?

MD: Globally the trend is indeed toward less and less dosage in wines. In the past champagne was consumed mainly at the end of the meal, with dessert, and champagne was associated with sugar and richness, until the end of the XIX century. In the XX century, this progressively changed and the in the XXI century champagne is associated with purity.

It must also be said that heavy dosage allowed to correct wines that were not always well made. Today the quality of the wines has dramatically increased and we can afford to commercialize wines that receive little or no dosage because of proper structure, finesse, elegance and freshness.

This is why we produce champagnes with very little dosage, with an extra brut with up to 6 grams of added sugar per liter, and even a champagne with absolutely no added sugar.

Then it is a matter of taste: these champagnes are very clean, refreshing, and more true to the wine and brings out the accurate flavours such as vine stock, yeast, Jurassic limestone. When we remove sugar and sulphite, we can perceive the whole portfolio of flavours and aromas.

If we want the wine to be more polished, that preserves better and add complexity, a little bit of liqueur de dosage is very useful, in small quantities, possibly made of different grape varieties and matured in oak casks.

I personally believe both styles are possible.

BC: What do you aim to convey with your champagnes?

MD: We have made the deliberate choice to go beyond Pinot Noir which has been on our peculiar limestone soil for 850 years now. We have decided not to disguise the wines by adding very little or no sulphites. Likewise we do not conduct filtration, leading to very expressive wines.

By doing so champagnes mature until a specific definition which properly corresponds to our house style: the one of my father, mine and of my kids. In a certain way it is our family spirit that we convey. All our clients adopted the wine we love.

It sounds a bit like a dictatorship of taste but we do not impose it. DRAPPIER represents just about 0,3% of the entire champagne production which means that around the world 0,3% of consumers like this taste.

BC: What is Drappier development strategy, also considering the growing competiton of quality sparkling wines other than champagne?

MD: Champagne has never really lost market share since the champagne trade has been growing constantly at 1% to 2% per year for the last 30 years.

Champagne is not aimed at supplying the planet; just about 8% of all sparkling wines in the world are champagne.

Indeed champagne is more expensive than other sparkling wines but these represent a different market. There is though a limited degree of competition between entry-level champagnes and high end sparkling wines produced with Méthode Traditionelle.

At DRAPPPIER we export about 2/3 of our production. We once reached 78% but this was too much, as we want to be in France which remains the No.1champagne market in the world. Hence we have continued to expand but faster in France than abroad.

Today we export in 83 countries and since we produce quality champagnes, very distinctive, with a marked vinosity, non-filtered with a strong identity we are not born to be liked by everybody. We have found our clientele among those who love wines which have a marked identity.

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3 generations of Drappier: Michel, Charline and André

BC: How can one discover his or her own champagne favoured style?

MD: There are about 5,000 champagne producers, each one with their own style, history, grapes, soil, vinification methods and many other aspects that comes into consideration.

It is then up to the consumer to taste and discover. It is a personal matter between him or her and the glass of champagne under the nose. Either there are emotions, or there are not. Champagne is totally subjective, like fashion, car, or paintings.

Which Picasso conveys to you the most emotions or has more value according to you? What is best a Porsche or a Ferrari? Some will prefer the sound of the engine, other the performance or the materials used. In champagne, it’s the same: some prefer Blancs de Blancs, some Blancs de Noirs, and some other types of champagne.

In fact champagne is even more personal because it enters your body. Even more than other wines, it talks to you; make noises through the music of its thin bubbles, music which is different from champagne to champagne.

It is a love story, or it is not. For this I think it is too personal for me to give advice.

BC: Mr Drappier; what defines champagne for you?

MD: Champagne is first of all a passion, and all my life. Just the other day my wife said to me again, while we were sipping champagne “thanks God you have some time for me”. We have 3 wonderful kids, we do plenty of things together, we travel extensively, but champagne remains at the heart of our life.

Champagne is also a story. Champagne pertains to a Region, a culture, a civilization, a country, and to all the people that have drunk it. Charles de Gaulle was our customer, and we have international celebrities who drink our champagnes on a regular basis like Jean Paul Belmondo, Gorbachev, Venus Williams just to name a few. Hence this history of champagne is made by all these people who love our champagnes and that make them live with us.

And then champagne is emotions, plenty of them. I love wines from Burgundy, Bordeaux, Sauternes, the Italian wines, but frankly, champagne… The noise of the cork, the sight, the little music in the glass, the tingling on the tongues, the aromas, the length, the depth, and most all the sense that we feel to drink it again, and again, it’s seems infinite. With champagne, you seem to never stop.

Click the link to discover the Drappier house and champagnes.

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